Jean-Julien Aucouturier, researcher in the Sound Design and Perception team at IRCAM (STMS - CNRS/Ircam/Sorbonne Université/Ministère de la Culture), was awarded the Emergence scientifique prize fo...
Pavlos Antoniadis will defend his doctoral carried out in the Sound Music Movement Interaction team (STMS - CNRS/IRCAM/Sorbonne Université) last June: " GesTCom: A sensor-based environment for t...
27 March to 29 March
- Église Saint-Eustache
REVELO is a project by the composer Marco Suarez Cifuentes and the artist Nieto. The discovery of the Apocalypse by Saint John, the final book of the New Testament, was a seminal moment. Seminal fo...
20 February to 15 April
- Centre Pompidou
Created for the exhibition “La Fabrique du vivant”, Biotope by the artist and composer Jean-Luc Hervé invites the public to penetrate a space transformed by the sound environment: the gallery becom...
12 June to 14 June
- Ircam
Vous avez dit spectral ? Ce terme a été si souvent invoqué, revendiqué, répudié, qu’il était temps de s’interroger à nouveau sur ...
Interview du chercheur Nicolas Obin, publiée dans La Croix. Avant son dossier spécial sur la parole, du 28 janvier au 10 février, La Croix s’interroge sur les paroles « non-humaines ». Nicolas Obin...
What do you do when the audio features of a certain location vary over time (ex. different kinds of background noise during the day, variations in public presence, co-existence of other music progr...
During a location-specific mixing/mastering session, which kind of audio transformation do you usually apply to your music/sounds? Which tools do you prefer to use? Do you think that a dedicated fo...
Meet Alexander Kassberg, head of studio at Lexter Sound Design, Andrea Cera, composer, and Nicolas Misdariis, head researcher for the Sound Design and Perception team in IRCAM’s joint research lab....