1 January to 31 December
- IRCAM
The MaMuX seminar seeks to develop a hypothesis of relevance, both musical and mathematical, of the mathematical/musical relationship through an exploration of the links created with other discipli...
https://www.lexpress.fr/culture/musique/les-chanteurs-disparus-ressuscites-par-le-high-tech_2053820.html
The cognition of auditory smiles: a computational approach
Damien BOUVIER a soutenu sa thèse de doctorat réalisée au sein de l’équipe Systèmes et signaux sonores : Audio/Acoustique, instruMents (S3AM) du laboratoire STMS – (Ircam/CNRS/Sorbonne Université),...
The “other-voice” effect: how speaker identity and language familiarity influence the way we process emotional speech
The researcher from the Sound Perception and Design Team and composer Andrea Cera, associated with the project, recently received an award from the Audio Branding Academy for the conception and pro...
Le son de l'anthropocène : matérialités 12 septembre 2018 Le deuxième séminaire explore la matérialité de la musique : comment décrire toutes les circulations, les choses, les êtres impliqués dans...
16 July to 21 July
- Canteen Mornewegschule
CataRT workshop for Composers, Improvisers, Sound Artists, Performers, Instrumentalists, Media Artists
We presented the first version of COMO – Collective Movement, at the International Conference on Movement and Computing, Goldsmiths University of London, 2017